From the earliest days of producing films there has been misunderstanding and confusion about what precisely an editor does in the creation of a film, tv strategy or correct now, the multitude of other sorts of “dynamic media” that are emerging both scripted and unscripted. Film Editor is understandable for the purpose that along with the cinematographer, the art and craft of the film editor is fairly new and 1 distinct which in no way existed ahead of the advent of motion photos. My objective here is to clarify this confusion at a basic level.
With the exception of the director, producer and writer*, the editor is the particular person closest to, and most intimately involved in the actual creation of the final version of the project which is ultimately released to the public.
Now, this is true to varying degrees in different types of dynamic media. A reside occasion for instance, is edited “on-the-fly”, or as the action happens by a director who calls the shots (edits) in correct-time by picking from a choice of special camera angles or viewpoints that are photographing the occasion. This is also the case with significantly of reside television, whilst generally, a show will be taped and “roughed out” by a director as it happens, and then later edited for length, rhythm, timing and other inventive or technical troubles.
Typically, there is the misconception that the editor is strictly a technician, pushing buttons to accommodate the wishes of the director or producer. When sometimes so, in the majority of scenarios, this is not the case. Yes, there are technical and difficult elements of the craft, but I assume it is safe to say that the craft of the cinematographer, for instance, with its angles, lenses, lighting, and so on, needs a a lot higher depth of technical, even scientific expertise to correctly accomplish the function.
But on a extended-format function film, documentary, single-camera tv program, net series or anything else with a narrative, it is the editor, along with the producers and/or director that operate on the project for the longest period of time, get to know the material shot by the production crew most completely, and make every single inventive and technical possibilities for the greatest course to take on every single single exceptional shot, scene and in the end complete film till the project is regarded as finished.**
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